Monday, August 24, 2015

PAINTING ON JAR


"When doubts haunt me, when disappointments stare me in the face and when I see not one ray of light on the horizon, I turn to Bhagavadgita and find a verse to comfort me and I immediately begin to smile in the midst of overwhelming sorrow.  My life has been full of external tragedies and if they had not left any visible and indelible effect on me, I owe it to the teachings of  Bhagadgita "
                                                                                                                         - Mahatma Gandhi.

The magnificent role played by the spiritual books in  manifesting  divine intervention with timely guidance, particularly when one is in doldrums or when the mind goes astray, is a thrilling experience for me too.

The event took place in September 2011, the days when I was having frequent visitors on account of monthly yoga meets at my home.  In one corner of the large hall among other things there was an earthen jar with beautiful Japanese figure  but with faded colours.  My son suggested one day that either  the  charmless jar should be removed from the hall or try for repainting it, on the original design  to bring back its attractive look. I thought for a while and decided  to try for renovation with bright colours. After finishing the job, I wondered at the jar with  new life. Appreciations from my son and other visitors made me feel proud of the painting, ' I did it'.  As a part of my daily chores I opened up a spiritual book, 'My Ramanashram Days' by Suri Nagamma.  I started reading....' An Andhra lady who came to stay at Ramanashram (Tiruvannamalai, Tamil Nadu), used to enthral the Bhagavan and his devotees by her melodious voice singing bhajans and songs on Ramana Maharshi, claiming that they were written by herself. Bhagavan was however  suspicious about her claims. When the matter went to the extent of translating into English,  Suri Nagamma could not brook further and revealed the mischievous copying of other authors' works  by the Andhra lady. The translation  work was put off and the Andhra lady had to  bow down in shame before the devotees and  Bhagavan.

In the above context, Bhagavan himself narrated another  episode about  a devotee by name Perumallu Swamy, who used to bring a poem every four days and read before the Bhagavan, claiming it as his own work. Being suspicious about the familiar stanzas he had read before, Bhagavan  asked his devotees to bring 'Tiruvuralpavu' written by popular author Ramalingaswamy and verified.  By replacing  'Ramana'  for 'Rama'  in the poetry 'Ramapadikam'  in  the book, Perumallu Swamy tried to claim ownership about the poems.   Being exposed before the devotees for the manipulation  he became a laughing stock.

When the divine hand made me peep through these two passages of the book , my egoistic  proud about the repainting had a steep slide with humility, The real credit should belong to the skilful potter who worked hard day and night to create the earthen jar and painted a beautiful Japanese figure on it,  with vivid eye catching colours,  to turn it into a marvellous art piece.  The Almighty opened my eyes cautioning me not to feel proud about the simple task of repainting.  With all humility, I admired the   'Potter'  who subdued my Ego !


 Om Shanti!                                                                                                                           

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